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Watching the ballet there inspired McQuarrie to craft an action sequence in a grand auditorium. So he got out of London, where he was working on the screenplay, and his wife organized a trip to Paris. When he hit a wall trying to craft this opening sequence, “at a certain point I just decided I'm gonna walk away and I'm gonna take a little break, which of course everyone was horrified with cause the start date was approaching and they wanted me at my desk working,” he recalled. You're just sort of dropped into the experience of the movie,” said McQuarrie, who also penned the film”s screenplay. You look at all the other ‘Mission” films, and they open with a very distinct, very straight-forward sequence that requires little in the way of explanation.
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“Very early in the process we were struggling with how to open the movie. Inspiration for the scene came during a vacation to relieve McQuarrie”s writers block. HitFix looked back on this memorable scene in the hit summer movie with a chat with director Christopher McQuarrie. The aria “Nessun Dorma” in the final act is one of those opera pieces like “Habanera ” from “Carmen” or “Ride of the Valkyries” from “Die Walkure” that are familiar even to those who have never seen an opera in their entire life. Various members of spy and counterspy organizations position themselves in what feels sometimes like a dance, sometimes like a fight, to either kill or protect the Chancellor of Austria – and sometimes it”s not clear exactly what fate someone has intended for the Chancellor, as is the case with Rebecca Ferguson”s mysterious Ilsa.Īll this is going down during a performance of “Turandot,” an Italian opera by Giacomo Puccini. The scene features Ethan Hunt (Cruise) and Benji (Simon Pegg) searching for a suspect at the Vienna Opera House. The opera house scene was McQuarrie “s answer to that challenge in this year “s “Mission: Impossible – Rogue Nation.” Tom Cruise hanging off the side of a a plane 5,000 feet in the air caught the attention of anybody who watched the film”s trailer, but it”s the elegant and heart-pounding opera sequence that really wowed audiences upon the movie”s release.
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“Mission: Impossible” has been captivating audiences with high-octane action sequences ever since the film franchise launched in 1996.įrom the iconic wire hang in the first film to the Chesapeake Bay Bridge shootout in “M:I 3” to the Burj Khalifa sequence in 2011″s “Ghost Protocol,” there was a long list of thrilling and original set pieces that Christopher McQuarrie had to live up to when he took on the fifth film in the espionage series.